An intimate preview of Justin Peck’s EVERYWHERE WE GO, with music by Sufjan Stevens.

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Sara Mearns explores an entirely different side of her dancing when performing as the high-kicking Stripper in Balanchine’s vampy SLAUGHTER ON TENTH AVENUE

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Tyler Angle explores how he and his partner can find individuality in the traditional, iconic choreography of the Wedding Pas de Deux in THE SLEEPING BEAUTY, and how dancers can feel more like themselves in classic roles.

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Unity Phelan walks us through the cat-and-mouse pacing of Peter Martins’ THE INFERNAL MACHINE.

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Teresa Reichlen discusses how class technique translates to the stage in Balanchine’s iconic SYMPHONY IN C, and how she developed a new level of trust in her partner while dancing the 2nd movement ballerina role.

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World Premiere May 12, 2017 Additional Performances: May 14, 18, 20 eve For tickets: www.nycballet.com — Directed by Rebekka Björnsdóttir and Yoonha Park Produced by Ellen Bar and Rebekka Björnsdóttir Music and Motion Graphics by Sufjan Stevens Director of Photography Zach Stoltzfus Color by Sam Daley, Technicolor Postworks Hair and Make Up by Karla Elie […]

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Sara Mearns describes the near-psychic connection that exists between herself and her partner when dancing the adagios in SYMPHONY IN C.

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Anthony Huxley reflects on his fruitless search for perfection in THE FOUR TEMPERAMENTS’ Melancolic variation.

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Andrew Veyette discusses how a spirit of camaraderie and propulsive movement drive Justin Peck’s EVERYWHERE WE GO.

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Rebecca Krohn discusses the humanism of RUSSIAN SEASONS and how choreographer Alexei Ratmansky helped her find beauty in its movements.

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Interview with Rose Eichenbaum, Author “The Dancer Within”, by Lewis Segal

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The Miami City Ballet is Miami’s premier dance company and is recognized internationally as one of the world’s best. Dance Channel TV interviewed founder and Artistic Directo Edward Villella.

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