Sara Mearns describes the near-psychic connection that exists between herself and her partner when dancing the adagios in SYMPHONY IN C.
Anatomy of a Dance: Sara Mearns on SYMPHONY IN C
Galina Ulanova Giselle Act 1 The Bolshoi Theatre Ballet London 1956
Turn Off Light
I Like ThisUnlike Like Please Login to Vote
I Dislike ThisUn-Dislike Dislike Please Login to Vote